
Today, at 55 years old, Joe realizes the rest of his tomorrows will never be as bright as most of his yesterdays.
That epiphany catches him off guard.
The immediacy of it throws him off kilter.
It wasn’t long ago that Joe felt relevant, steady, and somewhat optimistic about life, the world, and his place in it.
Now he flounders.
He’s a floundering Joe.
A man-fish swimming against the steady current of uncertainty.
“How did I not see this coming?” he mutters.
Moderately well-off, Joe is considered successful — especially in America, where success is measured by the home you own, the car you drive, and the stuff you have.
In America, materialism and success are inextricable.
So, why does middle age feel like an existential threat to Joe?
Why (with his level of success) is Joe suddenly riddled with insecurities?
Crisis set up shop in Joe’s head when he realized that success, as defined by society, is different from success as defined by biology and (more specifically) virility.
Virility provided a competitive advantage early in man’s evolution. It was sought after by the opposite sex and went hand-in-hand with male success. And though virility and success are not as tightly coupled today, the embers of that dynamic duo still smolder at the core of the male brain.
Virility improved the success rate of man’s biological directive to mate. That type of biologically controlled messaging is difficult to override — even in man’s evolved state. Because of this, something strange happens to men sociologically when they sense a decline in their virility.
It’s not that Joe feels less virile. It’s more of an awareness of how others perceive him — or how others barely notice him at all.
Gone are the days of side glances from attractive strangers.
A waning biological relevance makes Joe feel like he’s disappearing – like he’s being involuntarily airbrushed into the landscape – a crooked aging tree at the base of a mountain – an artist’s afterthought.
In the face of this involuntary disappearing act, Joe becomes desperate. He knows he can’t un-tick the clock, but he has access to cash.
They say money can’t buy happiness — but it can get you noticed.
And so, Joe begins the age-old American dance (often pathetic, rarely successful) of reclaiming virility through materialism – by heading to the local Chevy dealership and purchasing a brand-new ego booster.
At first, he feels pretty good about himself – heads are turning on the boulevard!
But the feeling is short-lived.
Over time, squeezing in and out of his little red Corvette doesn’t turn back the clock; it just reminds Joe of the uncomfortable logistics of aging.
Joe parks the car in his garage and rarely takes it out.
“Maybe it’s my style? Maybe I don’t have any style?” Joe says to himself in the mirror.
So, he treks to the mall, platinum card in hand, and treats himself to a hip new wardrobe of skinny jeans and UNTUCKit shirts, disregarding the well-known truth — that clothes always look better on the mannequin and catalog model.
Joe’s clothes no longer hang on him fashionably. Instead, they bring unwanted attention to what he’s desperately trying to hide.
And what makes Joe think he can pull off the skinny jeans’ thing like he’s Mick Jagger?
The audacity!
The one thing that makes Joe feel better is hitting the gym and changing his diet.
He isn’t turning any heads huffing and puffing on the Stairmaster, but he’s lost a little weight, and his mood is lighter. Even though he considers this a minor victory, he knows there’s no stopping father time from fucking with him.
Life is a conveyor belt.
As Joe transitions from middle age, he realizes acceptance is his only play.
Acceptance leads to tranquility, which leads to confidence, and confidence is like a fine wine – it ages well.