Pop and the Christless Crucifix

I make my way through a dimly lit hall of walkers, wheelchairs, and medical carts to find him where I always find him – in a threadbare recliner, lightly coated with dried skin cells and broken hair follicles – hunched over the New York Times crossword in his flannel robe, pee-stained underwear, and perfectly fitted Red Sox cap – his lips moving silently to the clues:

1 Across – Act of saving or being saved – 1 down – Environmentally friendly material.”

Dad never used to move his lips – they were always tightly creased, well-mannered, and coolly detached from the finely humming machine in his head as he attacked the puzzle on all fronts.

To Dad, the Times crossword was a trusted friend, a worthy opponent, and an intellectual fencing partner who, for years, prepared him mentally for the start of his day. It felt grossly unfair that Dad was aging so inelegantly while his opponent remained unscathed by time.

I stand invisible at the entrance of his room, just staring, not wanting to disrupt his endeavor.

When he finally looks up, he shoots me a broad smile and tips his cap in my direction before returning to the puzzle.

I enter the room, clear my throat, and get to the point of my visit.

“Dad, do you have a will?”

Without lifting his eyes or halting the motion of his pencil, he responds, “You can have it all. Just burn me down to a fine ash, then bury me in the desert. There – that’s my will. Cross it off your list.”

I sigh heavily.

With his head still bowed, he holds up his mechanical pencil and points it sharply in my direction before continuing.

“But not too deep. A few inches below the topsoil will do just fine. I want the rain to be able to get to me — muddy me up a bit.”

He lifts his head. A thin dusting of skin cells and hair follicles fall – it’s wintertime in Flannel Ville. He gives me a wink and a smile before returning to the puzzle.

“What about the family plot where Mom is?”

“What about it?”

He goes on, “In the words of the best Beatle by far, Let. It. Be. When she was alive, your mother nagged me about hogging the bed and disturbing her sleep. Trust me, she’d be fine with my desert plan.”

He returns to the puzzle, mumbling under his breath.

6 across – Breaking down organic matter” – 2 Down – To accept without protest”

“Is any of this written down, Dad?”

He slams the folded Times on his lap, and an unwelcome whiff of urine fills my nostrils.

“Why do I need to write it down? I just told you with actual words from my mouth – Put me in the goddamn desert, a few inches deep – Easy-Peasy.  You want to bring nurse Jackie in as a witness?”

There’s no Nurse Jackie, but Dad loved that show so much that he referred to all his nurses as Nurse Jackie—even the males.

“Sorry, Dad.”

He softens immediately and smiles.

“It’s OK. No worries from the weary.”

“The Times is kicking my ass today.” He tosses the newspaper onto his bed – a school of dad-DNA swims in a stream of sunlight above the bedding.

“How are things at home? How are Emma and the boys?”

“They’re good – I’ve been wanting to get the boys in for a visit – -they’ve been busy with basketball and homework.”

“Don’t worry about visits. Honestly, I don’t want them to see me like this.”

A silence settles in the room. I can hear the paint peeling and a clock ticking.

“Can you do me a favor?”

“Sure, Dad, whatever you need.”

He points to the wall behind his bed.

“Get rid of that goddamn cross. It’s from the poor soul who was here before me.”

I lift the lacquered black Christless cross from its nail. The unfaded paint beneath it leaves a crucifix shroud of Turin.

In a deadpan voice, Dad stares at the wall and quotes Luke 24:6-7, “He is not there; he has risen,” and smiles sarcastically.

“Thanks, son.”

I stand Pope-like in the middle of his room, holding the crucifix, “What should I do with this?”

“Burn and bury it in the desert – he chuckles and starts to cough – a mosh pit of Dad-dust bounces enthusiastically on his shuddering shoulders. I can almost hear Cobain screaming.

Suddenly, there’s a discharge of electricity around Dad’s recliner. I look up to an intense blueish-white light pushing through the crevices on his forehead—a halo of electrified dandruff swirls above his head. A look of relief falls upon him. He winks and says warmly, “I’m just saving you the effort. Goodbye, son.”

There’s a loud pop—like a fluorescent light bulb dropped from a great height—as Dad bursts into flames like a human Hindenburg. Thin flakes of ash float in the air. Their fiery orange edges burn bright for a few seconds before self-extinguishing into dissipating wisps of smoke and settling all around me.

I drop the crucifix in stunned silence.

A nurse (followed by an elderly gentleman with a Dustbuster) enters the room. The nurse tilts her head towards her left shoulder and speaks into a small black microphone, “Mr. Smith in 103 has transitioned.” She nods sharply to the gentleman, who retrieves the crucifix and vacuums up every remnant of my father. He even vacuums Dad from my shoulders and shoes. When he finishes, the nurse checks her watch and makes a notation on her clipboard.

She hands me a piece of paper. “Your father left us these coordinates. We’re sorry for your loss. Please collect your father’s remains at the nurse’s station.” She and the orderly exit the room along the same path they entered.

I unfold the paper. Scrawled in my dad’s handwriting are the coordinates 40°40′N 117°40′W.

After a few minutes, I head to the Nurse’s Station. Dad’s been packaged neatly in a small cardboard box with the Crestwood Nursing Home logo. Someone thoughtfully taped the crucifix onto it. I pull it off and toss it in the trash on my way out the door.

I place Dad in the glove compartment and drive west to the desert.


If you haven’t had a chance yet, please check out my first book, My Paper, My Words: Rantings from a Progressive Boomer and Peeved Parent, from Amazon. And if you feel moved to write a review of the book on Amazon or elsewhere, I’d be honored.

My Paper, My Words is a collection of essays, stories, and poems that reflect the challenges of a middle-class husband and father trying to navigate a rapidly changing political, religious, and technological landscape of post-9/11 America.

“Are any of the tickets for a person 60 or older?”

The words made their way from the lips of the lady behind the ticket counter into my slightly hard-of-hearing ears.

I hesitated to answer.

Of course, I knew the answer, but I think I was shocked at being asked.

After a few seconds, I said, “Yes, as a matter of fact. Two of us are.”

And voila, my first senior discount transaction was complete.

It happened at a Showcase Cinema in Seekonk, Massachusetts, for the movie Dumb Money (which I highly recommend).

For me, it was the first time being asked publicly about my age — it was a bit trippy – and so, for a few seconds, I was a little foggy on how to respond – because, in that instance, I was forced to reconcile that regardless of how I feel or how I envision myself, in the objective eyes of others, I’m old.

I don’t see a senior discount when I look at myself in the mirror.

I don’t hear senior discount when I pump up the volume of my 90’s gunge playlist and dance around the kitchen to Nirvana and Everclear.

I guess that’s why I hesitated when asked the question.

Now I’m wondering – with my first senior discount under my belt, will I start to feel my age? 

Will I begin to understand the feeling pulsing through my veins when Smells Like Teen Spirit blasts through my headphones is a hoax – a mindfuck?

Is asking about senior discounts just around the corner for me?

God, I hope not.

But one thing is certain: aging is like the Borg; resistance is futile.

Seventeen Summers

For me

if you believe in averages

Seventeen Summers

is all that remains


Less Summers than

fingers and toes


With sixty Summers

in the rear view

the road in front of you

feels a lot shorter,

your hearing begins to fade

but your breathing

becomes more audible

and you can’t shake free

from the loose and crinkly

skin on your neck


When you say out loud

“Seventeen Summers”

the finite nature of it

settles in

and Ms. Mortality

with her toothy grin

and dead eyes

waves at you

from the shore


With only

Seventeen Summers left

dilly-dallying

feels like a crime

and reminiscing

seems irresponsible


I should be wringing

every ounce of life

out of every minute

of every day

of my Seventeen Summers

because

the last thing you want to feel

in your Seventeenth Autumn

is regret

Middle-Aged Joe

Today, at 55 years old, Joe realizes the rest of his tomorrows will never be as bright as most of his yesterdays. 

That epiphany catches him off guard.

The immediacy of it throws him off kilter. 

It wasn’t long ago that Joe felt relevant, steady, and somewhat optimistic about life, the world, and his place in it. 

Now he flounders. 

He’s a floundering Joe. 

A man-fish swimming against the steady current of uncertainty.

How did I not see this coming?” he mutters.

Moderately well-off, Joe is considered successful — especially in America, where success is measured by the home you own, the car you drive, and the stuff you have.

In America, materialism and success are inextricable. 

So, why does middle age feel like an existential threat to Joe?

Why (with his level of success) is Joe suddenly riddled with insecurities? 

Crisis set up shop in Joe’s head when he realized that success, as defined by society, is different from success as defined by biology and (more specifically) virility.

Virility provided a competitive advantage early in man’s evolution. It was sought after by the opposite sex and went hand-in-hand with male success. And though virility and success are not as tightly coupled today, the embers of that dynamic duo still smolder at the core of the male brain.

Virility improved the success rate of man’s biological directive to mate. That type of biologically controlled messaging is difficult to override — even in man’s evolved state. Because of this, something strange happens to men sociologically when they sense a decline in their virility.

It’s not that Joe feels less virile. It’s more of an awareness of how others perceive him — or how others barely notice him at all.

Gone are the days of side glances from attractive strangers.

A waning biological relevance makes Joe feel like he’s disappearing – like he’s being involuntarily airbrushed into the landscape – a crooked aging tree at the base of a mountain – an artist’s afterthought.

In the face of this involuntary disappearing act, Joe becomes desperate. He knows he can’t un-tick the clock, but he has access to cash.

They say money can’t buy happiness — but it can get you noticed.

And so, Joe begins the age-old American dance (often pathetic, rarely successful) of reclaiming virility through materialism – by heading to the local Chevy dealership and purchasing a brand-new ego booster.

At first, he feels pretty good about himself – heads are turning on the boulevard! 

But the feeling is short-lived.

Over time, squeezing in and out of his little red Corvette doesn’t turn back the clock; it just reminds Joe of the uncomfortable logistics of aging.

Joe parks the car in his garage and rarely takes it out.

Maybe it’s my style? Maybe I don’t have any style?” Joe says to himself in the mirror.

So, he treks to the mall, platinum card in hand, and treats himself to a hip new wardrobe of skinny jeans and UNTUCKit shirts, disregarding the well-known truth — that clothes always look better on the mannequin and catalog model. 

Joe’s clothes no longer hang on him fashionably. Instead, they bring unwanted attention to what he’s desperately trying to hide.

And what makes Joe think he can pull off the skinny jeans’ thing like he’s Mick Jagger? 

The audacity!

The one thing that makes Joe feel better is hitting the gym and changing his diet.

He isn’t turning any heads huffing and puffing on the Stairmaster, but he’s lost a little weight, and his mood is lighter. Even though he considers this a minor victory, he knows there’s no stopping father time from fucking with him.

Life is a conveyor belt.  

As Joe transitions from middle age, he realizes acceptance is his only play.  

Acceptance leads to tranquility, which leads to confidence, and confidence is like a fine wine – it ages well.