Mapleton or Miracle

I recently rewatched an HBO limited series called “The Leftovers“, which chronicles the lives of folks from the towns of Mapleton, NY, and Miracle, TX, in the aftermath of a rapture-like event in which 2% of the world’s population departs instantly and without explanation.

It’s a character-driven show based on the Tom Perrotta novel of the same name, focusing on how people cope with devastating, inexplicable trauma and the grief that follows. The performances, especially Carrie Coon’s portrayal of Nora Durst (a woman who loses her husband and two children to “The Departure”), are fantastic.

The show inspired me to write “Mapleton or Miracle,” which I set to music using Suno, an AI-powered music-generation platform.

I’ll be uploading the song to streaming services in the next week or two, but you can listen to it on Suno today.

Mapleton or Mircale – By Sapient Rain

The living-dead in Mapleton
Are catatonic in their grief
All they see is what is gone
The Departure was a thief

We gaze at pastor charlatans
On the cable TV stations
Gucci suits with microphones
taking money for salvation

They drive away in Cadillacs
To glass mansions on the hill
While congregants in pickup trucks
Have no cash to pay their bills

Whether Mapleton or Miracle
Our grief is sure to follow
Our prose becomes less lyrical
Our souls become more hollow
Our souls become more hollow

When all we see is what is gone
our pain shifts into grief
he lost, forsaken, and forlorn
live in dreams for their relief

On bended knees
in whispered pleas
chanting hallowed be thy name
from caves to trees and galaxies
we bathe in guilt and shame

Some curry favor with their God
By reading from his book
Their situation never changes
Because God’s a thoughtless crook

Whether Mapleton or Miracle
Our grief is sure to follow
Our prose becomes less lyrical
Our souls become more hollow
Our souls become more hollow

With rolled-up truths of paper pills
stored in time-worn wooden boxes
we sit at sun-splashed window sills
and mumble at the paradoxes

The Departure was a soul suck
A trauma unexplained
We looked to faith for answers
All we found was grief and pain

Whether Mapleton or Miracle
Our grief is sure to follow
Our prose becomes less lyrical
Our souls become more hollow
Our souls become more hollow


Sapient Rain is best categorized as a human–AI hybrid musical project — specifically, a lyric‑driven, politically charged, genre‑fluid collaboration between writer/lyricist Geoffrey Reilly and the AI music engine Suno.

For a free listen, check out the library of publicly available Sapient Rain tracks on Suno.

“My Porch in Timbuktu” is Live on Streaming Services

“My Porch in Timbuktu,” the latest single from Sapient Rain, is live on SpotifyYouTube Music, and Apple Music.

Sapient Rain is a musical project that blends human creativity with artificial intelligence. It is a collaboration between writer/lyricist Geoffrey Reilly and the AI music engine, Suno.

You can listen to “My Porch in Timbuktu” for free on Suno.


I can barely hear you
your voice muffled by the dirt
Did you bring the children with you?
Is Suzy in her yellow skirt?

Its nothing like they told us
those Catholic teachers lied
It’s just a dark unbroken silence
and a solitude defied

What season are we in
I’ve lost all sense of time
the cohesion of chagrin
dissolving into the sublime
What color is the sky
Is it red or is it blue
I miss the spark inside your eyes
from my porch in Timbuktu

Would it all be different
if I chose to burn to ash
would I pass through gills of minnows
or die in the fire’s flash?

Breathless in the darkness
your heart, a dying dove
dress threads start to loosen
their hold on what was love

What season are we in
I’ve lost all sense of time
the cohesion of chagrin
dissolving into the sublime
What color is the sky
Is it red or is it blue
I miss the spark inside your eyes
from my porch in Timbuktu

I miss the sound of summer thunder
and waves crashing on the beach
Wilson Picket’s midnight hour
and that first bite into a peach

I’m in the chaos of my silence
in the loud loneliness of peace
there is no self-reliance
when you live your life along the crease

What season are we in
I’ve lost all sense of time
the cohesion of chagrin
dissolving into the sublime
What color is the sky
Is it red or is it blue
I miss the spark inside your eyes
from my porch in Timbuktu


Sapient Rain is best categorized as a human–AI hybrid musical project — specifically, a lyric‑driven, politically charged, genre‑fluid collaboration between writer/lyricist Geoffrey Reilly and the AI music engine Suno.

For a free listen, check out the library of publicly available Sapient Rain tracks on Suno.

“Donny on Dementia” by Sapient Rain

Sapient Rain is a musical project that blends human creativity with artificial intelligence. It is a collaboration between lyricist / writer Geoffrey Reilly and the AI music engine Suno

You can listen to “Donny on Dementia” on the Suno App or Website here.

Donny on Dementia

I’m living with dementia
Life’s a grandiose summer cruise
Higher prices at the gas pumps
Let’s take an oval office snooze

I’m making up equations
A percentage paradigm
I got yes men all around me
To cover up the crime

I don’t know what I’m doing
I’m lost and all alone
With me in charge, the world is stewing
CAN’T TURN THE CAPS OFF ON MY PHONE

I’m Donny on Dementia
I don’t know where I am
A Commander in Absentia
My mind is on the lamb
Please invoke the 25th Amendment
To end this tragic scam

We’re trapped in his dementia
Like the tankers in Hormuz
Kash Patel has lost his marbles
Pete Hegseth wants some booze

They call me doctor Jesus
I think that’s kind of cool
The resolute desk
Is my safe place
Where I scribble and I drool

I have no idea what I’m doing
You’re all paying a steep price
I miss the days when I was screwing
Instead of being Jesus Christ

I’m Donny on Dementia
I don’t know where I am
A Commander in Absentia
My mind is on the lamb
Please invoke the 25th Amendment
To end this tragic scam

People try to shoot me
I’m in the Epstein files
Normal thoughts don’t suit me
I dream of glory and Sieg Heils

Phonemic paraphasia
I don’t know what that is
I hate shit holes like Nambia
I aced my IQ quiz

I’m sleeping till eleven
I pace around all night
I often think of heaven
And flying purple kites

I’m Donny on Dementia
I don’t know where I am
A Commander in Absentia
My mind is on the lamb
Please invoke the 25th Amendment
To end this tragic scam


If you haven’t had a chance yet, please check out my book, My Paper, My Words: Rantings from a Progressive Boomer and Peeved Parent, from Amazon. And if you feel moved to write a review of the book, on Amazon, or anywhere else, I’d be honored.

My Paper, My Words is a collection of essays, stories, and poems that reflect the challenges of a middle-class husband and father trying to navigate a rapidly changing political, religious, and technological landscape of post-911 America.

Weed Killer is Live on Streaming Services

“Weed Killer,” the latest single from Sapient Rain, is live on Spotify.

Sapient Rain is the artistic collaboration of writer/lyricist Geoffrey Reilly and the AI music engine Suno.

You can listen to the full single for free on Suno, here.

Weed Killer

Bondi, Noem,
and Stephen Miller
Spreading lies
like Dow weed killer
Pushing pawns
and playing games
Breaking laws
like Jesse James

Congress cowers
in the corner
Pulling plums
like grown Jack Horners
State their case
loud and clear
Spreading hate
and tilling fear

Pardoned crooks
and forced compliance
assaulting facts
with pseudo-science
Throwing tantrums
hiding crimes
prepping hard
for the end times

When he’s not
abusing children,
he’s dropping bombs
on their school
Let’s turn the corner
On excusing
Stop propping up
this fucking tool

Truth denier
anti-Vaxxer
doesn’t matter
what the facts are
Pedal lies
igniting fires
Hide behind
the razor wire

Chasing migrants
in the street
masks instead
of hoods and sheets
Suppressing votes
and sinking ships
Lies like lipstick
on their lips

Vladimir and Xi Jinping
Bibi, Don, the ding-a-ling
Divvy up the map and riches
Prepping graves
and digging ditches

When he’s not
abusing children,
he’s dropping bombs
on their school
Let’s turn the corner
On excusing
Stop propping up
this fucking tool

Repeat the lie
until its true
Go on Fox
and blame the blue
Hug the flag
promote the bible
Toe the line
and keep it tribal

Redacts his name
from the files
Flips the script
like Simone Biles
Shames the victims
starts a war
He’s got no values
at his core

When he’s not
abusing children,
he’s dropping bombs
on their school
let’s turn the corner
On excusing
Stop propping up
this fucking tool


If you haven’t had a chance yet, please check out my book, My Paper, My Words: Rantings from a Progressive Boomer and Peeved Parent, from Amazon. And if you feel moved to write a review of the book, on Amazon, or anywhere else, I’d be honored.

My Paper, My Words is a collection of essays, stories, and poems that reflect the challenges of a middle-class husband and father trying to navigate a rapidly changing political, religious, and technological landscape of post-911 America.

The Glen

Remember when

we walked the Glen

down to the Manor

and back again

just passersby

to grass and sky

with inlet smiles

and sunlit eyes


Cicada rhythms

danced through the trees

the Sakonnet rolled

out to the sea

that world embraced

both you and me


Remember when

we walked no more

stopped skipping stones

along the shore

we buried secrets

in closet walls

dodged each other

in narrow halls

Glen strolls replaced

by trips to malls

by all-day meetings

and late-night calls


We lost ourselves

and raised the kids

crossed some lines

and hit the skids

then peeled apart

as our parents did


Mundanity paved over love

harsh words gave way

to push and shove

our home became

a handless glove


Does love lie dormant

at the Glen

under rotting leaves

and muddied Zen

or is Wolfe’s

“You can’t go home again”

as true as dirt and oxygen

where the fireflies

we choose to chase

are snuffed

by Moirai’s cold embrace?


If you haven’t had a chance yet, please check out my book, My Paper, My Words: Rantings from a Progressive Boomer and Peeved Parent, from Amazon. And if you feel moved to write a review of the book, on Amazon, or anywhere else, I’d be honored.

My Paper, My Words is a collection of essays, stories, and poems that reflect the challenges of a middle-class husband and father trying to navigate a rapidly changing political, religious, and technological landscape of post-911 America.

Random Consequence

We’re a raucous sack

of atomic molecules

on a spinning rock of atoms

undesigned

and randomly arranged

to form mountains

flatlands

rivers

and oceans

hurtling

through a universe

of hydrogen, helium

and a fuck-load

of dark matter

and dark energy

more atoms

Everything

that’s happened

all that we are

and ever will be

is a giant coincidence

of atoms

coming together

in a particular way

through the

consequential shaking

(at least to us)

of a cosmic snow globe

by a force unknown

Blue Speck

Earth

the floating stone

we call our own

the blue spot argonaut

the snag in the wool of gravity’s pull

sustained by the grace

of the perfectly placed

Life

the spark in the dark

of the protozoa ark

biding its time

on destiny’s dime

stuck at the Stop and Go

of the never know

Unpropelled and single-celled

with no map or design

or intervention divine

mad as a hatter

and twice as sublime

The lone chromosome at

the slim-chance dance

of happenstance

For billions of years

we hobnobbed

in murky Jurassic tide pools

and heated ocean vents

above us

scalene shadows

of pterodactyl’s gliding

their featherless wings

warmed by a thuggish sun

the emergence beckoning

of our divergent reckoning

to that unguided moment

when we planted

a finned foot with no input

on the iffy shores of dinosaurs

tilting our thin-lipped

reptilian face towards

that acid-orange sky

Arrival survival

pockets of luck

worried, we scurried

from out of the muck

we crawled on our belly

for millions of years

dodging extinction

overcoming our fears

turning our backs

on oceans and seas

crisscrossing the plains

and carousing in trees

time shoved us along

without out any say

so, along we all went,

slowly making our way

Now look at us,

we’re a civilized mess

in the land of the more

we’ve never had less

Less kindness, compassion,

wisdom, and mirth

a desire for heaven

and disdain for the Earth

we guide planes into towers

and poison the air

we know what the fix is

but turn blindly to prayer

Danish Fatwas and papal decrees

we can’t reach the stars

when down on our knees

If we don’t break the chains

to the Gods we invented

if Batman’s and Banes

are the only incentive

then the fools will be ruled

by the vane and demented

Pop and the Christless Crucifix

I make my way through a dimly lit hall of walkers, wheelchairs, and medical carts to find him where I always find him – in a threadbare recliner, lightly coated with dried skin cells and broken hair follicles – hunched over the New York Times crossword in his flannel robe, pee-stained underwear, and perfectly fitted Red Sox cap – his lips moving silently to the clues:

1 Across – Act of saving or being saved – 1 down – Environmentally friendly material.”

Dad never used to move his lips – they were always tightly creased, well-mannered, and coolly detached from the finely humming machine in his head as he attacked the puzzle on all fronts.

To Dad, the Times crossword was a trusted friend, a worthy opponent, and an intellectual fencing partner who, for years, prepared him mentally for the start of his day. It felt grossly unfair that Dad was aging so inelegantly while his opponent remained unscathed by time.

I stand invisible at the entrance of his room, just staring, not wanting to disrupt his endeavor.

When he finally looks up, he shoots me a broad smile and tips his cap in my direction before returning to the puzzle.

I enter the room, clear my throat, and get to the point of my visit.

“Dad, do you have a will?”

Without lifting his eyes or halting the motion of his pencil, he responds, “You can have it all. Just burn me down to a fine ash, then bury me in the desert. There – that’s my will. Cross it off your list.”

I sigh heavily.

With his head still bowed, he holds up his mechanical pencil and points it sharply in my direction before continuing.

“But not too deep. A few inches below the topsoil will do just fine. I want the rain to be able to get to me — muddy me up a bit.”

He lifts his head. A thin dusting of skin cells and hair follicles fall – it’s wintertime in Flannel Ville. He gives me a wink and a smile before returning to the puzzle.

“What about the family plot where Mom is?”

“What about it?”

He goes on, “In the words of the best Beatle by far, Let. It. Be. When she was alive, your mother nagged me about hogging the bed and disturbing her sleep. Trust me, she’d be fine with my desert plan.”

He returns to the puzzle, mumbling under his breath.

6 across – Breaking down organic matter” – 2 Down – To accept without protest”

“Is any of this written down, Dad?”

He slams the folded Times on his lap, and an unwelcome whiff of urine fills my nostrils.

“Why do I need to write it down? I just told you with actual words from my mouth – Put me in the goddamn desert, a few inches deep – Easy-Peasy.  You want to bring nurse Jackie in as a witness?”

There’s no Nurse Jackie, but Dad loved that show so much that he referred to all his nurses as Nurse Jackie—even the males.

“Sorry, Dad.”

He softens immediately and smiles.

“It’s OK. No worries from the weary.”

“The Times is kicking my ass today.” He tosses the newspaper onto his bed – a school of dad-DNA swims in a stream of sunlight above the bedding.

“How are things at home? How are Emma and the boys?”

“They’re good – I’ve been wanting to get the boys in for a visit – -they’ve been busy with basketball and homework.”

“Don’t worry about visits. Honestly, I don’t want them to see me like this.”

A silence settles in the room. I can hear the paint peeling and a clock ticking.

“Can you do me a favor?”

“Sure, Dad, whatever you need.”

He points to the wall behind his bed.

“Get rid of that goddamn cross. It’s from the poor soul who was here before me.”

I lift the lacquered black Christless cross from its nail. The unfaded paint beneath it leaves a crucifix shroud of Turin.

In a deadpan voice, Dad stares at the wall and quotes Luke 24:6-7, “He is not there; he has risen,” and smiles sarcastically.

“Thanks, son.”

I stand Pope-like in the middle of his room, holding the crucifix, “What should I do with this?”

“Burn and bury it in the desert – he chuckles and starts to cough – a mosh pit of Dad-dust bounces enthusiastically on his shuddering shoulders. I can almost hear Cobain screaming.

Suddenly, there’s a discharge of electricity around Dad’s recliner. I look up to an intense blueish-white light pushing through the crevices on his forehead—a halo of electrified dandruff swirls above his head. A look of relief falls upon him. He winks and says warmly, “I’m just saving you the effort. Goodbye, son.”

There’s a loud pop—like a fluorescent light bulb dropped from a great height—as Dad bursts into flames like a human Hindenburg. Thin flakes of ash float in the air. Their fiery orange edges burn bright for a few seconds before self-extinguishing into dissipating wisps of smoke and settling all around me.

I drop the crucifix in stunned silence.

A nurse (followed by an elderly gentleman with a Dustbuster) enters the room. The nurse tilts her head towards her left shoulder and speaks into a small black microphone, “Mr. Smith in 103 has transitioned.” She nods sharply to the gentleman, who retrieves the crucifix and vacuums up every remnant of my father. He even vacuums Dad from my shoulders and shoes. When he finishes, the nurse checks her watch and makes a notation on her clipboard.

She hands me a piece of paper. “Your father left us these coordinates. We’re sorry for your loss. Please collect your father’s remains at the nurse’s station.” She and the orderly exit the room along the same path they entered.

I unfold the paper. Scrawled in my dad’s handwriting are the coordinates 40°40′N 117°40′W.

After a few minutes, I head to the Nurse’s Station. Dad’s been packaged neatly in a small cardboard box with the Crestwood Nursing Home logo. Someone thoughtfully taped the crucifix onto it. I pull it off and toss it in the trash on my way out the door.

I place Dad in the glove compartment and drive west to the desert.


If you haven’t had a chance yet, please check out my first book, My Paper, My Words: Rantings from a Progressive Boomer and Peeved Parent, from Amazon. And if you feel moved to write a review of the book on Amazon or elsewhere, I’d be honored.

My Paper, My Words is a collection of essays, stories, and poems that reflect the challenges of a middle-class husband and father trying to navigate a rapidly changing political, religious, and technological landscape of post-9/11 America.

Matt’s Wake

When Bill sees Natalie parking across the street, he opens his car door to the cold backhanded slap of winter. “Fucking freezing he mumbles to himself. He steps onto the asphalt of the parking lot, pulls a pack of Marlboros from his coat pocket, and smacks it against his palm like he’s in a Tarantino flick.

Through the smoke, he studies the gathering mourners in long black coats and winter scarves, their low conversations demonstrated only by bursts of breath that quickly dissipate in the crisp January air.

He looks up at the sky. “Solid turnout, Matty …  respectable for sure.” 

Strategically hovering on the outskirts of the steadily growing crowd, Bill plots his entrance to coincide with Natalie’s. It’s been three years since he left her un-kissed on her parent’s doorstep, clutching that night’s carnival winnings, a plush multi-colored parrot, sobbing uncontrollably.

Several months later, Bill understood the horrible mistake he had made. He tried to win Natalie back for the next year and a half, but she refused to let him back into her life.

Matt’s death shook Bill to his core, and yet, almost immediately, his thoughts turned to Natalie. Ashamed, he wondered what it would be like to see her at the wake.  Matt would have found his chagrin darkly amusing, the type of reaction that would have led to an entire afternoon of delving into the complexities of the human condition and intricacies of love, death, opportunity, and loss.

Bill imagined how that scenario would have unfolded. He would have said, that’s what love does to a person and Matt would have nodded, lit cigarette in hand, a wry smile on his face, and replied with one of his Mattyisms:

Love is a fork in the garbage disposal.

Bill takes one last drag, tosses the half-smoked Marlboro to the ground, and grinds it out with the toe of his shoe. He heads slowly towards the line forming at the funeral home entrance while watching Natalie cross the street in his peripheral vision.

Nat steps onto the sidewalk gracefully, and Bill falls into step alongside.

Hey, he says, slowing in hopes of an embrace.

Hey, Natalie says, her voice cool.

“Hey,” he says again, dumbly mesmerized by the combination of her bright beauty and profound sadness.

Natalie catches Bill in mid-stare. Are you okay?”

Bill sputters. “Huh? Oh. Sorry. Yeah, I’m okay. You?

Actually, I’m the opposite of okay,” she says quietly.

“That’s true, you’re a knockout,” Bill says and almost immediately regrets his attempt to lighten the mood.

“Excuse me?” Now she stops, rounding on him.

Bill holds up his hands defensively. “The opposite of OK – KO – Knock Out.” 

“Seriously? You’re hitting on me right now? Here?” Natalie shakes her head, but there’s a hint of amusement beneath her veneer of sadness.

They fall into the line of mourners, shuffling along a few steps at a time.

“How are your folks?” Bill asks sheepishly, hoping to at least get back to an informal conversation.

“They’re fine; I’ll tell them you asked.” Her sarcasm shatters Bill’s hope like a bullet through candied glass.

By the time Bill and Natalie step into the funeral home, an awkward silence has set up camp. For the next 30 minutes, it’s mostly just quiet nods to other attendees until they find themselves next in line to pay their respects.

As the couple in front of Bill finishes their prayers, Bill quietly panics. Should he accompany Nat to the coffin or hang back and respect her privacy? The couple stands, and the man and woman each briefly place a hand on Matt’s casket before proceeding to the receiving line.

Natalie looks at Bill, but he’s unsure what it means. He offers his hand, which she takes gently, and they approach Matt’s casket together.

They can feel the stares from around the room. Their break-up three years ago was big news to their small community, so this public reconciliation (if that’s what it is) generated some buzz.

Though Bill had imagined Matt’s wake as an opportunity to reconnect with Nat, he hadn’t envisioned what would happen afterwards. It would all depend on how Natalie responded, and up to this point, it had been primarily awkward silence. He didn’t know how to get a beat on what she was feeling. 

As soon as they kneel, Bill bows his head and whispers, “Listen, I can’t begin to tell you how sorry I am. I don’t know what the fuck I was thinking about that night.”

“Suzy,” Natalie mutters flatly, head also bowed.

“What?” Full of confusion, he risks a sidelong glance.

“You said you didn’t know what you were thinking about. Fucking Suzy is what you were thinking about – literally. I figured it out when you started dating her the week after you dumped me.”

Bill swallows, another Mattyism springing into his mind like a jack in the box: The truth has a way of shooting you down and shutting you up.

Matt would have enjoyed this exchange for several reasons: He would have loved that instead of praying at his casket (Matt was a devout atheist) they were trying to work out their shit. And he would have reveled in knowing his wake provided Bill and Nat a venue for reconciliation (if that’s what this is). As he’d been fond of saying, Wakes are for the living.

“You’re right, Nat, and I’m sorry I ambushed you today. I’m lost without you. I’m just stumbling through this.”

After a few more quiet seconds, they both turn to look at a framed picture on the table behind Matt’s casket. Taken at a high school graduation party, Matt is center in the picture. But just over Matt’s right shoulder: Bill and Natalie. They’re holding hands, Nat is smiling at Bill, and they all look at ease and happy.

“That was us,” Nat says, pointing to the picture. Tears fall down Bill’s cheeks as he registers everything he’s lost.

Matt was right; wakes are for the living.

Bill and Natalie stand up together. Bill’s hand brushes the back Natalie’s hand, and she pulls away reflexively, looking at him deeply and shaking her head.

They move through the receiving line of hugs, tears, and warm laughter before going their separate ways.