Maggie By the Way

Maggie discovered her husband at the bottom of the basement stairs – his body contorted, eyes wide open and empty of light.

She remembered hearing a tumble and thud in the middle of the night, waking momentarily before dismissing the sound as a fleeting element of a fading dream.

So, Maggie went back to sleep.

She was so startled by her early morning discovery she almost fell down the stairs herself. Now she stood frozen in the doorframe, unsure what to do. 

She nervously fumbled around the pockets of her bathrobe for her phone while staring down at the strangely twisted body of the man she had spent 30 (mostly good) years with.

The gravity of her loss rose from the soles of her feet, and she felt rubber-legged and lightheaded – she wretched suddenly and grabbed the railing to steady herself.

After a few deep breaths, she swiped the security code into her cell, opened the phone app, and stared absently at the number pad.

“Fuck” she whispered to herself.

Who to call?

If there had been any signs of life, this wouldn’t be a question. But the 911 emergency had passed — her husband was dead.

She dialed her son – but with no idea what she would say when he picked up, she panicked and hung up the phone on the third ring.

“FUUUUCK!” she screamed, her voice so loud she reflexively looked down at her husband to see if the sheer amplification had snapped him out of death. It hadn’t. However, her scream woke her dog, Molly, who she heard hopping off the bed upstairs.

Her phone rings.

It’s her son. 

The confluence of Molly making her way down the stairs, her dead husband in the basement, and her son on the end of her ringing phone cause Maggie to burst out crying.

“Come on, Maggie, pull yourself together,” she says tersely before answering the phone.

“Mom, is everything OK?”

“No, it’s not.”

“I’m sorry I hung up on you!” now sobbing uncontrollably.

“Mom, what’s wrong!!??”

“Your father fell down the stairs. I think he’s dead.”

She knew he was dead.

She wasn’t sure why she said, “I think he’s dead” – maybe she was trying to protect her son from what she was feeling – alone and adrift.

Was a fifteen-minute drive with false hope better than one with the hard truth? 

There was a prolonged silence, followed by “I’m on my way.”

She still hasn’t found the courage to go to him. She’s still at the top of the stairs, and he’s on the cold basement floor.

Dotingly, Molly sits at her feet, wagging her tail softly, looking up at her and seemingly wondering, “Why are we standing in the doorway?”

She pats Molly gently and says sadly, “Daddy’s gone.” 

Her moment with Molly evaporates in the sudden crunch of car tires on a gravel driveway – a car door slams, followed by an urgent knock on the front door.

She glances again at her husband before heading to the living room with Molly in tow.


“He’s never going to leave her,” she whispers into the mirror before peeking from the bathroom to the bed, the rise and fall of tangled bedsheets, and the messy truth of her life.  

Three years of skulking around hotels and motels in towns miles from where she and her dirty little secret lived their other life. 

The sex was great. There was no denying that. But three years in, Maggie wonders, “Would it be so great without all the secrecy – without the element of danger”? 

“Probably not,” she says to herself.

“Fuck it – I’m done.”

She packs her overnight bag, gets in her car, and drives. 

She never spoke to her married lover, landlord, best friend, or roommate. She drove west for three days – before settling in Jacksboro, New Mexico.

A fresh start. 

A few months later, she landed a job as a technical writer at zDeck, a fast-growing company specializing in patio design and architecture.


John graduated in 1987 with a Bachelor’s degree from New Mexico State.

He floundered in the sciences for a few years before settling on an English major – primarily because he enjoyed the classes. From American Short Stories to British Romanticism, he connected with the content – it prodded him to think and broadened his perspective on life and human nature. 

Maybe all those stories and poems (and the characters that inhabited them) were a welcome distraction from his life. 

“A degree in the humanities isn’t skills-based,” he recollects the words from his bemoaning father. 

“It doesn’t give you the tools you need to make money!” 

“You’re right, Dad, it doesn’t,” John remembers cavalierly responding to his father’s concern. 

“But it’ll help me understand the human condition and navigate life’s absurdities- and I think that’s what I need right now.”

John rarely thought ahead. Not because he didn’t see the value, but because he never acquired that skill – he never observed his parent’s “planning” when he was growing up, the consequence of a disengaged alcoholic father and a mother struggling to keep herself and her family afloat. 

In John’s childhood, there was no long view. Growing up was day-to-day. 

After graduating, John fell into technical writing, “like a blind man into a quicksand pit,” he warned his son years later when counseling him on the importance of “having a plan.”

In the late 80s and early 90s, technical writing wasn’t specialized (or all that technical)– if you could write, you were a candidate – and John could write.

He was bright, creative, quick-witted, and had an innate way with words. 

Everyone who came to know John liked him – almost immediately, it seemed.


Maggie remembers when she met John at zDeck in 1989.

It was John’s second day on the job. Maggie sat at the breakroom table, daydreaming over a cup of coffee and playing with a sugar packet, when he walked in – lunch bag in hand – a nervous smile on a handsome face.

“Hey,” she nodded at him. 

He responded kindly with a “Good morning,” opened the refrigerator, and deposited his lunch.

“I’m Maggie, by the way.” 

“Hi Maggie-by-the-way, I’m John.” 

She smiled, bit her lower lip playfully, and thought, “Hmm, this could be fun.” 

Maggie, casting the sugar packet aside, “So, how do you like zDeck so far?” 

John, happy to engage:

“So far so good. I’m still learning the ropes. They have me in training this week and next.”

Maggie, smiling: “Ahh… Inkslinger training . . . I remember it well.” 

John, somewhat surprised: 

“You’re a writer? Tell me – and be honest – what am I in for?”

Maggie, without missing a beat: 

“Humiliation, mostly.”

“Ha!” John responded with delight at both Maggie’s response and the natural rhythm of their conversation.

Maggie pushes up from her chair and starts towards the breakroom door. She feels his gaze on her back, looks over her shoulder, and says, “Good luck with training; I’ll see you around.” 

“See you around, Maggie-by-the-Way.” 

In 3 years, they were married.

Thirty years later, John still referred to his wife endearingly as Maggie-By-the-Way.


Maggie opens the door. Her son stands and stares for a second. 

“Where is he?”

Maggie turns towards the open door leading to the basement.

Her son brushes past her and walks tentatively towards the lit doorway – slowing his pace considerably as he gets closer.

When he reaches the doorway, he leans in, bends, turns his shoulders slightly, and peers down the stairs.

Molly remains at Maggie’s feet, quizzically looking across the room at the son and then back up at Maggie, wondering what was happening.

“Did you call 911?” the son asks solemnly – never looking back towards his mother, eyes red and fixed on his dead father.

“No, I haven’t.”

The son takes the cell phone from his coat pocket and taps the screen.

“911, what’s your emergency?”

“My father fell down the stairs – I think he’s dead.”

“Is he breathing?”

“No. 

It looks like he broke his neck” – the son begins to cry. 

“He’s dead. Can you please send someone.”


John feels the pervasive drop in temperature. It envelops him and pries him from his sleep. 

The pilot light’s out again, he thinks to himself. 

He sits up and looks over at Maggie – dead to the world. John muses to himself, “She could sleep through a hurricane (and an ice age, apparently),” and smiles in her direction.

He slowly swings his legs over the side of the bed, puts his feet on the cold hardwood floor, and stands. 

Molly is tucked cozily in the crook of Maggie’s legs. Sleepy-eyed and content, she raises her head slightly, looks at him and wags her tail quietly.

“I got this girl; you go back to sleep,” John says to her as he heads downstairs.

The light above the stove dimly lights the kitchen. John opens the junk drawer and pushes aside pens and pencils, loose batteries, and an opened pack of note cards before finally finding the matches. He suddenly feels lightheaded and grabs onto the kitchen counter. 

“Christ,” he says to himself. 

He’s been having these spells for a few weeks now but puts off calling his doctor. 

The dizziness passes; John stuffs the matches in his pajama pocket, walks to the door that leads to the basement, opens it, and takes a step.

John’s second dizzy spell inhabits his last vestige of conscious thought. It’s followed by the sensation of twisting and falling, momentary weightlessness, and a sharp crack of pain when the base of his neck meets the unforgiving edge of the fifth step on the basement stairs.

A bright burst of white light and a buzzing electric sound is followed immediately by complete blackness. 

And just like that, John, sixty-two years old and newly retired, was gone. 


The paramedics – a young man and a woman – arrive 5 minutes after the 911 call.

Maggie meets them at the front door.

“Hello, mam. Did you call 911?”

“My son called – but it’s my husband – he’s fallen – he’s at the bottom of the basement stairs.” 

Maggie becomes lightheaded at the words, “he’s at the bottom of the basement stairs,” – and the paramedic reaches out to prevent her from falling.

Years later, Maggie would look back and wonder how eight words strung together could illicit such a strong physiological response. 

“OK, mam, come sit with me.” 

The woman paramedic slow-walks Maggie to the sofa while the other heads across the living room to the basement stairs, stopping suddenly at the doorway (like there’s an invisible forcefield) before proceeding to the basement.  

About 30 seconds later, he’s on his phone – his words float up to the living room:

“Yeah, it’s Bill – we need the coroner at 77 Merton – yeah, looks like a fall – yes – male, about sixty, I think – Yes, his wife and son. Got it – OK – Thanks.”

Maggie and her son are still on the sofa when the paramedic comes up from the basement – they look at him, and he meets their eyes – he’s tight-lipped and pale. Maggie almost feels sorry for him – she wants to tell him, “It’s OK, you don’t need to say the words – we know he’s dead,” but she lets him speak. 

“I’m sorry, mam, your husband is deceased. The coroner is being notified. He should be here shortly.” – this time, Maggie does not become lightheaded at the words – she feels her spine stiffen, and a sustained pulse of energy courses through her – emanating from the center of her chest to her limbs.

Maggie turns to her son, who suddenly seems wrecked and catatonic – like he’s been hit by the “everything-all-at-once” train. She slides towards her son, puts her arm around him, and pulls him close – he melts into her – he feels both heavy and empty on her chest. 

The coroner arrives at 7:00 AM. By now, neighbors are waking to the flashing lights of the rescue squad and several official-looking vehicles parked haphazardly in front of 77 Merton Road.

Maggie gazes out her living room window towards her best friend Gail Green’s house. 

Gail stands on her front porch, swaying while holding her coffee mug with both hands, worry draped on her face. Maggie wants to text her, but she’s unsure if that would be a breach of protocol. 

After several minutes, Gail turns slowly and heads back into her house. 


The coroner has been with John for nearly 20 minutes, and Maggie starts to feel anxious – then the male paramedic, who has been with the coroner, comes up the stairs. 

“Mam, the coroner wants to know if you want a few minutes with your husband before we take him to County General.”

Maggie isn’t sure how to respond. She looks to her son for advice, and he nods approvingly.

“Can my son come with me?”  

Maggie and her son walk down to the basement – John’s body is no longer on the floor. Instead, he’s tucked into a thick plastic body bag on a gurney, with only his chest and head exposed.

Maggie leans over and kisses John. His forehead feels like a cold stone on her lips. Maggie’s son stands behind her – head bowed – tears streaming down his cheeks.

Maggie turns to the coroner and asks if she can have the wedding band from her husband’s finger before they take him away.

“Of course. Can you give me a minute alone with your husband?” 

Maggie and her son walk to the other side of the basement where John kept his workshop. 

There’s an unfinished project – a repair to the rocking chair that John gave Maggie before the birth of their son – the entire workshop is infused with the comforting smell of wood shavings and varnish, which feels inherently nostalgic in John’s absence. 

Maggie takes her index finger and traces the floral engraving on the rocking chair’s headpiece – the day’s events wash over her as she slips between a daydream and a trance engulfed in sepia-toned memories of her and John, young and vibrant, asleep in their bed, arguing across the kitchen table, crying while holding one another and laughing hysterically, at what she’s not sure. The memories play like a tattered and jittery home movie in her head. 

With Maggie and her son distracted, the coroner reaches into the body bag and carefully extracts John’s arm, resting it respectfully across his chest. He proceeds to remove the wedding band. It takes some effort, as rigor has set in. With the ring off, the coroner gently twists John’s wrist so that his palm is facing upward – his arm still resting on his chest. He places the wedding band on John’s palm so that it looks like John is presenting it as an offering.

“Mam, you can come back now.”

Maggie and her son stand over John silently. 

Maggie looks at the coroner with deep appreciation for his kindness – he nods and steps away from the gurney, disappearing ghostlike from the grieving wife and son. 

Maggie gently takes the band from her husband’s hand, holds it close to her face, and reads the inscription.

Enjoying every day with Maggie-By-The-Way – 1992

She closes her hand tightly around the ring and smiles.

Molly in Tow

It was 5:00 AM when she found his contorted body at the bottom of the basement stairs – his eyes wide open and empty of light.

She recollects hearing a tumble and thud in the middle of the night, waking momentarily before dismissing the sound as a fleeting element of a fading dream.

So, she went back to sleep.

She was so startled upon discovering him that she almost fell herself. 

Now she stood frozen in the doorframe, unsure what to do. 

This situation was a first. 

There was nothing from her past to draw upon that might guide her.

She fumbled around the pockets of her bathrobe for her phone while staring down at the crumpled and twisted body of the man she had spent 50 (mostly good) years with.

The gravity of her loss began to rise from within, and she felt rubber-legged and light-headed. She grabbed the railing of the stairs to steady herself.

She entered the security code for her cell, opened the phone app, and stared blankly at the number pad.

“Fuck” she whispered to herself.

Who to call?

If there had been any signs of life, this wouldn’t be a question.

But the 911 emergency had passed — her husband was dead.

She dialed her son, with no idea what she would say when he picked up, so she panicked on the third ring and hung up the phone.

“FUUUUCK!” she screamed, her voice so loud she reflexively looked down at her husband, thinking the sheer amplification of sound might snap him out of his death, which it did not. However, she did wake her dog, Molly, who now stirs upstairs.

Her phone rings. It’s her son. She bursts out crying as she hears Moly coming down from upstairs.

“Pull yourself together,” she commanded before answering the phone on the tenth ring.

“Mom, is everything okay?”

No. It’s not. I’m sorry I hung up on you!” sobbing uncontrollably.

“Mom, what’s wrong!!??”

Your father fell down the stairs. I think he’s dead.

She knew he was dead.

She wasn’t sure why she said, “I think he’s dead” – maybe she was trying to protect her son from the devastation she was feeling? Was a fifteen-minute drive with false hope better than one with the hard truth?

There was a prolonged silence, followed by “I’m on my way.”

She still hasn’t found the courage to go to him. She’s still at the top of the stairs, and he’s on the cold basement floor.

Molly sits at her feet, wagging her tail, looking up at her and wondering, “What are we doing standing in the doorway? 

She pats Molly gently on her head and says sadly, “Daddy’s gone.” Her moment with Molly is abruptly interrupted by the crunch of car tires on the gravel driveway.

She hears the car door slam, followed by a rapid knock on the front door.

She glances again at her husband before heading to the living room with Molly in tow.

Tipping Points

Israel says there is a safe zone for civilians in the south of Gaza. 

Israel suggests that Hamas is preventing civilians from going to that safe zone because separating Gazan civilians from Hamas means fewer civilian casualties, which is terrible for Hamas because (according to Israel) Hamas relies on civilian casualties as fodder for their propaganda machine.

So, who do we believe? 

How do we, the ones watching this conflict from the outside, get to the truth to form an opinion?

It is hard to trust the controlling parties on either end of this conflict, and in that scenario, everyone in the middle gets obliterated.

And let’s not forget that our struggle for truthfulness is nothing compared to what Gazan civilians are facing hourly. Gazans are struggling to live and breathe just long enough to bury their dead.

Americans understand the raw rage that Israel holds towards Hamas. It mirrors what we felt towards Al-Qaida on September 12th, 2001. We understand a desire for payback that originates from the gut – it’s what drives our support of Israeli efforts to uproot and destroy Hamas.

But I’m guessing there’ll come a point where support for Israel tips in the other direction – when our gut reaction to the sheer number of civilian casualties forces us to say, “Enough!”

Who will be the last Israeli soldier, Hamas terrorist, or Gazan civilian to die before we reach that point, and will it matter? 

How can civilians in the “political middle” of this conflict affect change now when they couldn’t affect change before the conflict? – Isn’t the task of effecting change way more difficult today? 

Gaza is in ruins. Survivors filled with rage and hopelessness will be looking for payback, and the peace and security that many Israelis seek has become less of a possibility. 

It’s hard to find hope in any of this.

Hamas Needs to Go

Hamas has been at the helm of the Government in Gaza since 2007.

What have they done for the Palestinian people? 

The Hamas Charter explicitly calls for the obliteration of Israel. Hamas is not interested in negotiating or coexisting with Israel. Any talks with Israel that might result in a better life for Gazans would be detrimental to Hamas’s hold on power — because peaceful coexistence with Israel negates Hamas’s primary objective, which is to kill Jews.

Hamas militants are fueled by religious hatred, laid bare in the brutal and vicious nature of their attacks on Israeli citizens. When you believe God commands you to slaughter your enemies, you do so with zeal. The greater the depravity by which they murder, the more glory to their God, or so it seems.  

Even if you blame Israel entirely for the plight of the Palestinians in Gaza, how can anyone justify the terroristic and vicious nature of the Hamas attack on October 7th, 2023?  

I understand that Israeli policies that expand settlements and displace Palestinians exacerbate the hardships felt in Gaza.

I understand the Israeli government has contributed to Palestinians’ indignity for generations.

I understand that Israel has killed many innocent Palestinians in military operations over the years. 

Does all that understanding about the indignity, the generational hopelessness, and the death and destruction at the hands of the Israeli military – justify Hamas’s attack on innocent civilians? 

No, it does not – because Hamas has done nothing on behalf of Palestinians to move the needle toward peace.

They offer no hope. They are the enemy of hope.

There’s a palpable dread for what’s about to go down in Gaza.

Palestinian citizens and the hostages taken by Hamas are pawns in a never-ending religious, ethnic, and geopolitical dispute that Hamas has no interest in resolving.

That’s why they need to go.

“Are any of the tickets for a person 60 or older?”

The words made their way from the lips of the lady behind the ticket counter into my slightly hard-of-hearing ears.

I hesitated to answer.

Of course, I knew the answer, but I think I was shocked at being asked.

After a few seconds, I said, “Yes, as a matter of fact. Two of us are.”

And voila, my first senior discount transaction was complete.

It happened at a Showcase Cinema in Seekonk, Massachusetts, for the movie Dumb Money (which I highly recommend).

For me, it was the first time being asked publicly about my age — it was a bit trippy – and so, for a few seconds, I was a little foggy on how to respond – because, in that instance, I was forced to reconcile that regardless of how I feel or how I envision myself, in the objective eyes of others, I’m old.

I don’t see a senior discount when I look at myself in the mirror.

I don’t hear senior discount when I pump up the volume of my 90’s gunge playlist and dance around the kitchen to Nirvana and Everclear.

I guess that’s why I hesitated when asked the question.

Now I’m wondering – with my first senior discount under my belt, will I start to feel my age? 

Will I begin to understand the feeling pulsing through my veins when Smells Like Teen Spirit blasts through my headphones is a hoax – a mindfuck?

Is asking about senior discounts just around the corner for me?

God, I hope not.

But one thing is certain: aging is like the Borg; resistance is futile.

A Quantity of Quality

It’s been nearly six years (October 2, 2017) since Tom Petty died.

A few months before his passing, my son and I drove from Rhode Island to Philadelphia to catch Tom and the Heartbreakers on the final leg of their 40th Anniversary Tour.

On our way down to the show, we listened to every Heartbreakers album in sequence, amazed at the quantity of quality the band produced over their 40 years.

When Tom made his way to the microphone that night in front of a packed Wells Fargo arena — he seemed a little unsteady. His voice was thin and shaky when he addressed the audience, and I wondered if time had finally caught up to the rock icon.

That show was my sixth Tom Petty and the Heartbreakers concert. Like the previous five, I walked out of the arena blissfully. At 66 years old and on a fractured hip, Tom Petty remained true to his craft and the spirit of rock and roll. He and the band were brilliant.

For over 40 years, Tom Petty and the Heartbreakers never cheated their audience with half-hearted performances or sub-par albums. They loved what they did, which showed in the studio and on stage.

That show in 2017 has me reminiscing on how and when I got hooked on the Heartbreakers.

The first Tom Petty and the Heartbreakers song I heard was Refuge in 1979 as a junior in high school. That song jolted with me the instant I heard it. My reaction to it bordered on chemical, and for three minutes and twenty-two seconds, I felt true clarity, like the music physically pushed shit aside in my head – so it was just me and the song.

I’m not sure why that song resonated so powerfully. Perhaps it was the convergence of Petty’s aggressive-edged delivery frenetically stirred by the tumult of adolescence and teenage angst.

I don’t know “the why,” but I remember “the when” like it happened yesterday.

I’m not sure how it began for my son. Maybe it was musical osmosis from exposure to A LOT OF Tom Petty and the Heartbreakers at an early age.

Perhaps my son connected with a specific song or album during adolescence and got hooked like I did.

Or maybe he saw Tom Petty as a musical bridge to span the sometimes-fractious waters between a father and son.

The most intriguing thing about this trip down memory lane is how Tom Petty evolved as an artist and the impact that had on me as a fan.

As much as I loved Refugee as a teenager, listening to that song as an adult was mainly a way of reconnecting with my youth. Sometimes, “reconnecting” is the extent of our relationship with an artist or song.

A more substantive relationship develops when the artist evolves – because that presents an opportunity to connect with them on a deeper level.

As Tom Petty matured, he became a master songwriter. His songs tapped into the complexities of human relationships with sparse and simple language. That’s what kept me tethered to him as an artist.

The way I connect with songs like Wildflowers and Square One is totally different than the nostalgic way I connect with Refugee or Here Comes My Girl – because I evolved as well (thankfully).

Tom’s evolution as an artist allowed his fans to grow with him — and most of us did.

And that’s why the relationship is impactful to so many people.

Twenty-Fourth and Broad

painting by Rex Wilder

I visit the coffee shop on Twenty-Fourth and Broad to listen to lovers’ quarrels.

Their words float above clanging utensils on flatware before making their way to my table, where I savor them more than my favorite dark roast.

My husband and I would come here every Sunday morning after making love under the skylight of our dusty third-floor apartment.

He’s gone now. He disappeared in the ring of an early morning phone call from a police officer at St. Luke’s Hospital three years ago this week.

Time Misspent in Wonderland

Time misspent in wonderland

she sips on broken dreams

In weeds of woe and circumstance

life leaking from her seams


Time misspent in wonderland

in what-might-have-been galore

with a distant grin, she stirs her gin

cross-legged on the floor


Photos spread haphazardly

she slips into her past

she bathes in milky memories

and prays that it will last


Time misspent in Wonderland

tears running down her face

when now comes knocking at her door

to occupy her space


“What’cha doing mama?”

words lilting and refrained

that pierce the walls of wonderland

to bring her home again

All in on LinkedIn

Does anyone else feel a wave of inadequacy when scrolling through their LinkedIn feed? 

For me, it’s the professional equivalent of dragging my flabby ass into a Maxx Fitness Gym full of fitness junkies and muscle heads.

Are these people for real? Doesn’t anybody just work a crappy job to pay their bills anymore? 

When did we become our jobs? 

Are there really this many passionate professionals who love what they do – or are most of us just playing the game?

For me, it’s difficult not to feel like a fraud when I post about work because I am not my job. 

My job is a taxing and challenging endeavor to endure. I work hard at it to keep a roof over my head and food on my table and grow my savings so that eventually I can get the fuck out.

LinkedIn is an advertising agency for the self – where we all try and keep up with the Joneses and match the energy of everyone that’s on the platform saying how proud they are to be part of a company or industry or technology and what a positive experience working for company x has been and how they can’t wait for the next exciting chapter in their career.

When you’re in the gym next to a guy like this, you immediately throw an extra 25-pound plate on the bar because you don’t want to look and feel like a failure.

It’s fucking exhausting. 

I can’t wait to retire.

Seventeen Summers

For me

if you believe in averages

Seventeen Summers

is all that remains


Less Summers than

fingers and toes


With sixty Summers

in the rear view

the road in front of you

feels a lot shorter,

your hearing begins to fade

but your breathing

becomes more audible

and you can’t shake free

from the loose and crinkly

skin on your neck


When you say out loud

“Seventeen Summers”

the finite nature of it

settles in

and Ms. Mortality

with her toothy grin

and dead eyes

waves at you

from the shore


With only

Seventeen Summers left

dilly-dallying

feels like a crime

and reminiscing

seems irresponsible


I should be wringing

every ounce of life

out of every minute

of every day

of my Seventeen Summers

because

the last thing you want to feel

in your Seventeenth Autumn

is regret